
I was once asked how I achieve the primitive look in my ceramics. The only answer I could give is that I just do the best I can, and that’s how things turn out. Despite my sincerest efforts, the result of my labors is always just a little crooked or a bit off center. If one accepts a wabi-sabi philosophy, imperfections are a sign of humbleness and humanness, guiding one toward a gentler, more tolerant definition of beauty.

I consider my work to be a dialogue between me and the clay. Sometimes the clay has something to say. Sometimes I disagree and vice versa. Oftentimes, I wish my creation were just a bit more perfect. But my method of creating involves making molds. Once a piece has been cast in plaster, it is around for quite some time. Not until many pieces are made, worked on, and then used repeatedly, do I come to understand and appreciate the irregularity of my shapes. The process, like relationships with people and forming friendships, takes time.

The imperfections of my original works are in my molds, permanently. There is nothing I can do but accept them. Therein comes the wabi-sabi sensibility. In humbleness, I put my heart and soul into my work. In return, I bond with my forms, getting a feeling of purpose and integrity in what I do.

Creating things and having elements of handmade in our lives helps us develop our sensitivities to differences and to be more mindful. Handmade creations are imperfect by nature. That is what gives them their charm. So, it is with people too. We are all individuals, quirky, unique, awkward, and each special. Long days in my studio allow me time to think and devote my attention to the clay. As I do, it speaks to me and whispers, “When talking with others, listen to them. Try to hear what they are really saying. Respect them. In this way you come to understand them and accept them in all their imperfections.” The clay also asks for patience.

I have sense of mission while I work. I want the care I take with my ceramics to be passed along to the user. By encouraging my customers to not just admire, but to handle and use my ceramics, I hope they will connect with the human element of ‘’handmade’’. I believe it is important to make room for handmade objects in our homes and in our daily lives. With their wabi-sabi character and imperfect beauty, they have the power to enrich our lives. Just listen.
Read more of my thoughts on wabi-sabi on Beyond The Beige
Wow!! I love this. Your philosophy is inspiring, KriKri! I can feel it when I use your art in my day to day. Emily and I love using your plates and bowls every day.
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Thanks for taking time to read it! I enjoy writing, but it’s fun to share my humble efforts☺️ guma♡
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Especially in these times of globalization, handmade things are such a rarity, and a luxury. I’ve always liked to flirt a little with the imperfect, the unusual, and even the unpretty. It’s important to stay connected to things that have character and a soul. I find that in some wines as well. Kristin, nice article, and I love the photos. And as I heard someone say today to me in a grocery store, “rock on!”.
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Yes to flirting with the unpretty! What is pretty anyway?! And what an interesting thought when applied to wine. I think thinking in general is under rated! Rock on!
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Kristen, your tableware exudes a gentle and calm nature, and is so compliments the moment. One of several works that I have is a large bowl, which is “feather light” that I use frequently for “featherlight” popcorn which I hold in my lap. They seem to be a counterpoint to current political news.
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Thank you Patti! YES to “peace through pottery”!
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I wonder if you are still making tableware in your classic design. I bought a spagetti bowl in Seattle in the 1990s, possibly 1999. Now I’ve broken it unfortunately, and I am wondering if it is possible to replace and what the cost would be. I have collected a number of your pieces over the years, for example, mugs, heart-shaped small plates, bowls, and dinner plates. It is killing me that this has happened to the bowl, which I use frequently.
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Hi Barbara,
Thank you for getting in touch with me. I’m sorry to say, however, that I no longer make my original style ceramics. The original kRI kRI style is very labor-intensive. I work on my own now I have moved on to using just white to decorate my Ceramics rather than black. It always makes me sad to hear that people have broken pieces that they love. It happens in my household too. I’m sorry I can’t help you.
Thank you again for getting in touch and thank you so much for appreciating my work for so many years!
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Kristin
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